_________________________________________. This is the third time I've seen POTO, and each time the ending keeps the relentless pace, and the huge contrast of feelings - sensational! Al Queenanalqueenan@yahoo.com. Kelly Mathieson's Christine sang well while Jeremy Taylor, although he sang the role really well, the emotional bond between him and Vhristine never really came across very well and felt like something was missing. Our visit 9th June 2007 2.30pm performance. Best are B 13 and 14. The show itself is unfortunately starting to look a bit tired - some of the choreography and performances could do with being 'tightened up' a bit, and the proscenium arch of the intertwined naked figures could do with a good clean - and some of the drapes need washing! _________________________. were used to very dramatic effect and quite simply worked. I think we can all be glad he didn't wait for Mr. Schnberg's work to move out or London Theatre would look very different today. The songs are fantastic, the set is amazing and the storyline is exciting, maddening, and devastating all at once. Don't miss it, or the Phantom' will appear inside your mind and haunt you till you get a ticket. I understand people have different tastes but this is ridiculous! There . Excellent view of the stage and I enjoyed it very much. Sat in Row C Centre of Dress Circle (perfect) at only 30 (an offer price not always available). This show, along with 'Les Misrables', is one of the "crown jewels" of West End theatre. How can you expect a musical about Opera to be anything but Melodrama?????? I was a little worried when I read about the huge cast overhaul that had been made a couple of days prior but I needn't have worried - I found the show magical, I sat mesmerised throughout the whole performance and had constant shivers running up and down my spine that started the moment they raised the chandelier at the auction house to the very end, it was wonderful! Earl gives the best performance of The Phantom I have ever seen and heard. Ms Christina Brooks You are close to the stage without being too close, you can see the actors faces clearly; and the famous chandelier is just to the right of you a little bit when it goes up and down so it's not very scary being under it. It is dragging the West End back. And that we could "have a look around" for any empty seats and change .Given the show was about to begin this wasn't't very useful to us. With a seating capacity of 1,670 across three levels, it is the eighth largest theatre in London and has often been used to premiere new musicals before they transfer to the West End. A Front of House man (who had been entertaining us with his witty banter earlier) raced to the row and told them to move back to their own seats but they didn't. They also claim that until the production arrives they do not know the layout on stage !!!! On the aisle but only 4 rows back. Saying that I thought the set and costumes were well produced. I was in the Grand Circle in seat F21. Enter the email address you signed up with and we'll email you a reset link. Terrible sightlines and no legroom. Otherwise a great view with slight obstruction of front left of the stage. It delivered as only Phantom can and I thoroughly enjoyed it. Not the best start to Phantom really and I was quite cross. You do the entire show a disservice and are clearly not understanding the subtle symbolism of this 'sentimental melodrama'! This theatre is in need of a massive refurb. At the time of booking, it does not say restricted view and, even if it had, the definition on the site of restricted viewing makes no mention of pylons but instead talks of overhang from the dress circle. Good meal, and good seats (A24 and A25, front row of Dress Circle.) ___________________________, Having read very mixed reviews of the front row seats at Her Majesty's Theatre I was a bit nervous about going to see 'The Phantom of the Opera 'for the 5th time and this time in row B seat 6. However I decided I would give him the benefit of the doubt. It was extraordinary. None put in a noticeable or commendable performance and didn't help to arouse any emotions within the audience for how we should feel towards any character. I could not recommend this musical less. __________________________________. We use cookies to ensure that we give you the best experience on our website. The set and props were used well and it is always interesting to see how a show can use the space. 855-315-0431 Concerts Bad Bunny Billie Eilish Bon Jovi Coldplay Dua Lipa Elton John I am 5' 11" tall and my knees where jammed against the seat in front. You can even enjoy a show from the front of thegrand circle, but be prepared to abseil down to them from a great height. I can't compare the current cast with any other but they didn't strike me as anything special. After seeing it four times it has lost some of the excitement and emotion I felt on the first three occasions. He seemed so active and young around Katie, he was bouncing around the stage. While its largely true of all the big venues, its especially true of the Princess: those back rows of the grand circle (the top level) are ludicrously high, and watching a show from them feels like peering at an ant colony from a helicopter. We have both seen the show four or five times before, going right back to the Michael Crawford days and the performance last Thursday was up there with the best. London, (Editor's note: * 'Swing' - performer who can fill in for a number of other performers if they are absent. Stalls B12 is front row and marked as 'sightline restricted,' and is to the left of the conductor but not directly behind him. ______________________________. How wrong we were! The Johnson Family I felt like a little kid even though I am 56 years old!! We paid 40 + booking fee for Seats B27 and 28 in the Grand Circle, and whilst I'd never usually choose seats this high-up, I'd read on good authority (i.e. The only way I would go and see Phantom again is if I sat in the Stalls, but I'm not prepared to pay 50 for a show I didn't rate that highly. If youre sitting in the first few rows of the stalls seats, you may even be able to touch the stage and see performers blink. I totally disagree with Theatremonkey. Will Barret as Raoul, well, sorry but he's awful. Having seen the show 19 times in 5 different productions, I must say I still love London's brilliant original the most. Visited this theatre for the first time - last minute decision so the only seats available were in the back row of the stalls SEATS 1/2/3. I saw Phantom of the Opera at Her Majesty's Theatre around New Year's and it was amazing. I was so far away from the stage that I felt like I couldn't be further away from the action. I did enjoy the first half more than the second - I found a couple of the scenes in the second half overly long really. Every performance he put his heart and soul in, Christine is very good too, but Raoul?? He lacks charisma in order to allow us to build up empathy with the Phantom. However, this musical is one of the few shows that uses the stage space in a constantly varied way. Home - Random Browse: THE MIRROR OF TASTE, AND DRAMATIC CENSOR. Phantom of the Opera, 14Apr2019, I wanted to watch the play so bad, I took a chance on the seat. I do see the Monkeys point about overblown emotion: too overblown and you cease to care quite as much as you should about the characters The singing was superb (The Phantoms voice was a bit ropey in places, but the rest of the cast more than made up for that). ________________________________. You have to accept "Phantom" as a period piece and one of the last glittering relics of the golden age of London Theatre which the 1980's undoubtedly were. Here's my review for stalls O4: The show itself was very enjoyable but I did feel that it was starting to show its age a little and some of the characterisations are a little sloppy. The curtains need a good wash (as an earlier reviewer noted, I think), but it was still great!!! I think Mr Davies must be one of the most experienced Phantoms by now, and his performance really shows that. _____________________________________. Earl Carpenter in the lead was very good indeed though not in the same league as Crawford who we had seen on two occasions. Chris Enjoy amenities such as VIP entrance, parking, club access and more Need Help? magic!!!! From centre to stage right wings, you slowly are able to see less and less You will be able to see the top halves of the actors when they dwell in the stage right area unless they are very far upstage right or very downstage right. The sound wraps around you, and the sweat on the forehead of the first violinist feels close enough to mop. A word about the staff - I would have thought that faced with the monotony of dealing with the same tourist crowd with the same familiar music they would lose a bit on the service front, not a bit of it. It made the hairs on the back of my neck stand up and I went all shivery! Have a look at the view. It was directly in front of the Phantom when he appeared in the suspended decorations and a great position as the chandelier swooped past. We had 2 seats in row B of stalls (front row), what a nightmare, No leg room at all!!!!!! I've seen it numerous times and I particularly wanted to see it this time as John Owen Jones is ending his reign at the end of January 2016. John Owen Jones has ruined any other Phantoms for me and sadly, Ben Forster just didn't have the gravitas that I would have liked. *** 'Alternate' An actor assigned to play a lead role on fixed dates when the lead actor is absent either on holiday or taking a 'rest' day each week.) I first saw this magnificent production in December 2004 and in May 2006 will be seeing it again for the 4th time. Also, being the main theatre in Aberdeen all the shows are usually here so you don't have much choice. Our budget was limited so we got Grand circle, F24 and 25. They afford some brief, but generally pleasant, glimpses of his habits and career; and in a letter, in which Pliny makes application on behalf of his friend to the emperor Trajan, for a mark of favour, he speaks of him as "a most . Also being further back meant I didn't have to look from side to side when the action was spread out, and I didn't have to look almost straight upwards trying to glimpse the Phantom in the chandelier. All the views expressed in our published seat reviews are those of independent theatregoers and don't necessarily represent those of whichseats.com, producers or theatre owners. Birmingham UK ______________________________, Here I go with my review of my seating for 'Phantom of the Opera' on Thursday 12th July 2012. Katie Hall as Christine was what I hoped. Sitting anywhere else in this row, I would have had to change seats, as I physically wouldn't have been able to last the duration of the performance (34inch legs) Thankfully, the overwhelming performance and amazing view made me quickly forget about the leg room, but feel this should be mentioned when you buy the tickets. In reality she is, but a little research told me she played Christine from September 2004 to October 2006 and received very good reviews, so hardly an understudy! ), but the true star of the show has to be the one and only John Owen Jones as the Phantom. Katie B She even lip-synced the duet 'Phantom of the Opera' because suddenly her voice was completely different. Stalls, C12: Not a bad seat, actually. And very cramped, would advise booking aisle seats if possible. They were schlepping their oversized M&Ms World bags through the aisles, munching snacks, cheerfully commenting their favourite scenes, and exactly during the most dramatic final moments someones phone went off I dont want to sound elitist, but when I pay a lot of money for a Musical the only sound I hear should be from stage, and not the excited yelps of some middle-aged superfan in the row behind me. The day was made even better when regardless of the fact he would be performing later Scott spent around fifteen minutes at stage door talking and having pictures with us. I went to see Phantom last night (18th June 2010) and thought I would submit a review of our seats. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Critical and Historical Essays . I must say the seats were fantastic, I totally disagree with other reviewers who have said to avoid the stalls, by far the best seats we've had seeing this show. Go and see it, if you're around and be sure you book good tickets to enhance the experience. Plenty of leg room, being in the walkway. There is no doubt that the building is beautiful and full of character. We checked on this site for seat info and had seats K23 and 24 in the stalls and found them very good, saw everything, my cousin is slightly taller than me so she could see the chandelier right to the top. Went to see The Jersey Boys on Wednesday 8th Feb at His Majesty's Aberdeen. Staff were friendly and helpful and the overall ambience was an enjoyable experience.The show was fantastic! The rest of the show he seemed very tired and bland. All rights reserved. read more, His Majesty's is a lovely old Theatre. I have long-awaited for a discounted ticket to this show. 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how bad are restricted view seats her majesty's theatre